PROMOTING MEXICAN CULTURE ON A SHOE-STRING

By Maureen Dietrich

Mexican folkloric dance, which became popular during the post-revolutionary era, is the essential heart of Mexico. It originated as a way to display ethnic diversity within the country in the hope of keeping alive cultural traditions. Dances consist of cuadros, or suites, representing different states or regions and often tell a story, frequently of courtship. Rebecca Llamas, Director of the Folkloric Ballet of Rebecca Llamas in Mazatlán, knew from a young age that folkloric dance would be her life. Born with an equinovarus foot, a congenital disorder wherein her right foot pointed inwards, she went through numerous painful corrective operations. In 1973, she finally realized her lifelong dream when she joined a folkloric dance group headed by renowned Mazatlán teacher, Miguel Angle Tirado. After a successful dance career with some of Mexico´s best known folkoric groups, ten years ago Rebecca formed her own school. If you have been lucky enough to attend a performance at the Angela Peralta Theater or the Mexican Fiestas held at local hotels, there you will have seen her young, enthusiastic alumni swirling on stage in a choreographed blaze of color. “Most of our dancers come from poor families in poor communities,” Rebecca explained at a recent presentation to members of Friends of Mexico. “Maybe one or two are from the middle class. My students aren´t paid, so they work anywhere they can. There are no scholarships for our dancers, as there are for other Municipal School of the Arts students. People with money prefer ballet, opera, music – not folkloric dance,” she added matter-of-factly. A small, slender woman with abundant energy, Rebecca

explained her passion for folkloric dance stems from her deep regard for Mexican culture and traditions. “It is very important to keep our traditions alive. They are being eaten by world events,” she said. True to her convictions, she takes her students to perform at schools, explaining the rich history and culture behind each cuadro. Three times a year, she brings around 600 school children to the Angela Peralta Theater to enjoy a performance. The Ballet Folclórico Sina-loense has garnered a national and international reputation, appearing at festivals in Zacatecas, Querétaro, Gue-rrero and Guadalajara. Last year, Rebecca branched out taking 30 dancers to the United States to perform. “Dancers had to pay for themselves,” she pointed out, “because there was no funding. Their parents told me they couldn´t afford it, so I told them to ask their friends and relatives to donate ten pesos each. Then I approached businesses. Banda El Recodo donated funds for all the costumes.” Students of the Folkloric Ballet range in age from 14 to 26. It is Rebecca´s dream, and her intention, to begin classes for children but, she says, unfortunately they will have to pay to attend. The financial struggle to keep Mexican traditional dance alive and vibrant for subsequent generations is a daily one. It´s a struggle that Rebecca Llamas is willing to take on because, as she says, “you can have enough to eat and be unhappy. If you express your heart, you will be happy even if you´re poor.” (Ballet Folclórico Sinaloense will be performing free in La Noria on October 23rd at 7pm as part of Festival Cultural Mazatlán)

 

 

 


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