DICK DAMRON: THE LEGEND AND THE LEGACY
By E.G. BRADY

Dick Damron is a name I had heard quite a few times in Mazatlan, a country music legend who’s been spending his winters here since the seventies. I was thrilled when Mike the editor gave me the assignment of interviewing him. Well, folks, he is the real thing, a very talented and dedicated musician who has recorded about thirty albums in Nashville, toured the world many times over, and still sounds great at the age of sixty seven (yes, girls, he’s currently single). His voice is still as smooth and powerful as anyone’s in show business. What separates him from most of the big time singers is how well he can play, and his prolific songwriting. His last release, Rockabilly Blues, is just that, a collection of hot fifties-style rock’n’roll with a country flavor. His next album, still in the mixing process, features some old time country western swing tunes with fiddle and pedal steel, and a few lighthearted songs about Mexico in general and Mazatlan in particular. All of his back up musicians are world class, the recording quality is top notch, and the songs are great. I can’t wait to get a hold of more of his catalogue. He’s written an

autobiography (with no ghostwriter) that is a real page turner. It’s the story of an Alberta farm boy, rodeo rider and country music frontman who never gave up. Also, did I forget to mention he’s a helluva nice guy. I asked him why he settled on Mazatlan as his winter abode. He said he first went to Guaymas, but it was not quite warm enough, so he headed on south of the Tropic of Cancer until he reached our fair city, and decide it was perfect. I asked him what instruments he plays, and he said the guitar, fiddle, pedal steel, banjo and harmonica. Mostly he sticks to nylon string guitar and harmonica these days. He still is a great picker, and his jazzy instrumental version of Somewhere Over the Rainbow was a highlight of the show I saw. His upcoming album features a sizzling duel between his own bluesy harmonica and a hot Nashville fiddler. His melodic guitar work shines throughout. Let’s face it, he can really play. As for what new country artists he likes, he singled out LeeAnn Rimes as the cream of the crop. He should know, he’s been around. He first recorded in Nashville in 1961. And forty years later, he’s still going strong.

 

 

 

 

 

 

 


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